Looking from the outside, I believe artists for generations have been living in a no-man's land -- the work of Bangladesh's Sultan preserved in Pakistan, Indian-born Satyajit's dialogues in the mouths of Bangladeshi children... The chain of events, the promoting hands, and the artists finding space, metaphorically or physically, where art can flourish, all that to me takes place in no-man's land, without mental or physical borders.
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